Exploring Shakespearean Tragedy:
A New Critical Theory
By Paul H. and Robin Jaeckle Grawe
© 2024
|
 |
This study is a sequel to a preliminary study, In Search of Shakespearean Tragedy, and it not only builds a revolutionary theory of sub-tragedy genre but also works to identify contrastive dynamic powers for the four Great Tragedies: Macbeth, Othello, King Lear, and Hamlet.
Contents
1. Introduction: Shakespearean Tragedy, A Sub-Form of Tragedy
2. The Tragedic Line Shakespearean Style
3. Variants of Shakespearean Other Forms of Action
4. Variants of Shakespearean Tragedic Special Language
5. Variants of Shakespearean Tragedic Spirit
6. Dynamis: The Power of Shakespeare’s Tragedies
7. Variants of Shakespearean Tragedic Dynamis
Appendix A: Defining Tragedy as a Genre
Documents Pursuant to Exploring Shakespearean Tragedy
Synopsis of In Search of Shakespearean Tragedy
In Search of Shakespearean Tragedy: Tragedic Language, Tragedic Form
The Comedy-Tragedy Connection: Comedy/Humor's Analog in Tragedy
Final Report: Tragedic Language/Painterly Qualities Experiment, Minnesota Marine Art Museum